Featured Books
No disrespect to Quentin, but I like my pulp fiction on, well…pulp. Not celluloid. At 1150 pages, The Black Lizard Big Book of Pulps is like a crash course in the hard-boiled and sinful. It’s helpfully divided into three major archetype-sections–good guys (”The Crimefighters”), bad guys (”The Villains”) and the sexpots who love them (”The Dames”). The slang is unreal, and the character names are even better–Kid Deth? Scuttle? Storm? Marvel and DC have got nothing on the pulps.
This is the real deal, too, no latter-day imitators, so don’t expect any whitewashed tales. The writers of these stories weren’t always kind to women or anyone with an accent. It’s like an action fiction master class with a little social history piled on top. Otto Penzler poured over yellowed and cracked copies of vintage ten-cent magazines with names like Dime Detectives, Gun Molls, Black Mask Magazine, and Detective Fiction Weekly to come up with these stories and illustrations. He even managed to track down a never-published Dashiell Hammett story, which oughta mean something to anyone who was knocked out by the noir classic The Maltese Falcon.
In his introduction to the first section of the book, Harlan Coban claims, “Ninety percent of the writers out there admit they [read pulp fiction]. Ten percent lie about it.” ? This stuff is so good you’ll never lie about it. Hell, you’ll be proud of it–you’ll be bragging to all your friends that while they may be able to quote Samuel L. Jackson-as-Jules-quoting-Ezekiel 25:17, you’re tight with “The Girl Who Knew Too Much,” “The Invisible Millionaire,” and “The Devil’s Bookkeeper.”
Reviewed by Melissa Fish
What’s in a name? Colson Whitehead addresses this age-old question in his intriguingly-titled Apex Hides the Hurt, a novel that focuses primarily on the character and experiences of a nomenclature consultant who travels to a small rural town undergoing a name-changing crisis. The town’s history, future growth potential, and race relations all fall central to the debate as three different sects of residents clash over what the town should be renamed. Caught in the crossfire, the nameless protagonist must, as an outsider, struggle to uncover the truth about the town’s history and spirit. Interwoven throughout the narrative of the town is the personal story of the consultant’s past. As the story progresses, this conjoining of past and present reveals an inherent connection between the tale of the town and the tale of the protagonist until it gradually becomes apparent that, for the consultant, to rename the town is to rediscover his own soul. (more…)
For a first time novelist Ben Dolnick is sure getting a lot of press. His debut effort, Zoology, the story of college student Henry Elinsky who moves back in with his parents and takes a job at the Central Park Zoo after flunking out of college, has garnered largely positive reviews. In publications ranging from The Boston Globe, OK!, Radar Magazine, to the The Los Angeles Times Zoology is characterized as a warm, relatable, coming of age tale. Which can’t be all bad for Dolnick’s burgeoning career. Check out the reviews and check out the book, which is sure to be a fun summer read.
Reviewed by Melissa Fish
Let’s face it – I’m a sucker for novelty. That, in fact, is what first piqued my interest in Walter Kirn’s : its format is so utterly unique. Kirn first published the novel in January 2006, not in hard-copy format, but as an “Internet novel”, with new updates added every week. Taking full advantage of all the bizarre, interesting, and slightly creepy phenomena available on the Internet, Kirn provides links at certain phrases throughout the story to different videos or websites, some of which seem totally irrelevant and others absolutely crucial to the understanding of the plot. An interactive book! I thought. If nothing else, this will be fun! And it certainly was fun; the prose is very accessible, the plot is infused with intrigue, the characters are quirky, and the web links provide their own continual entertainment.
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Reviewed by Alex Glaser
Margaret Atwood is correct when she claims that Orhan Pamuk is literally ‘narrating his country into being’ with the book Snow. More than anything else, this novel of a lost poet in search of love and inspiration in small town Turkey concerns itself with heady political, social, and spiritual questions unique to modern-day Turkey. The author treats these debates with care and prudence, and these debates in many ways reflect the ongoing debate about Turkey’s (in/ex)clusion to the European Union, making the novel incredibly relevant to Easterners and Westerners alike.
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Reviewed by George Quraishi
Mason LaVerle sets out from an isolated Montana commune seeking to replenish the gene pool of his dwindling, inbred religious sect, the Aboriginal Fulfilled Apostles. What he finds is that the only people willing, or even likely, to come back with him could use some pretty serious help themselves. In Walter Kirn’s book everyone is in need of being saved. Besides the Apostles tucked away in Bluff, there are teenage Wiccans, new-age environmentalists, trust-fund ranchers, a harried writer, a failed actress, even a herd of buffalo; all seem perfect candidates for a little earthly salvation as prescribed in the pages of the Apostles’ newsletter, Luminaria (except the buffalo, who of course can’t read).
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Reviewed by Patrick Walsh
What do an undisclosed “accident,” ₤8.5 million, and a small crack above a bathroom mirror have in common? Answer: together they are the catalysts behind Tom McCarthy’s first novel Remainder, the contemporary story of an anonymous, London-bred narrator and his painstaking efforts to precisely reconstruct specific moments in time. McCarthy begins his work slowly, as if consciously trying to preserve the ambiguity and detached nature of the narrator, who, after an inexplicable incident involving falling machinery and a resulting settlement, is left as wealthy as he is mentally distorted. Despite the deliberate start, Remainder cleverly diverges from the orderly and the methodical into what can only be described as bizarre and completely out of control. (more…)
Reviewed by Heidi Immesberger
Ayelet Waldman’s Love and Other Impossible Pursuits is the engrossing and skillfully-written story of a woman who struggles to understand and to practice love in the aftermath of losing her infant daughter. In the months after her infant passed away, Emilia Greenleaf, an upper-class Manhattan attorney and the novel’s protagonist, struggles most to relate to her stepson, William. A bright and well-spoken five year old—perhaps unrealistically so—William challenges Emilia and places her in the line of fire of his intelligent, sophisticated, and angry ex-wife mother. The relationship between Carolyn and Emilia, carefully conducted through William and his father, Jack, is one of the best elements of Love and Other Impossible Pursuits. (more…)
Every Friday, Dusted Magazine publishes a series of music-related lists compiled by our favorite artists. This week: Tom McCarthy and Papercuts.
Tom McCarthy’s first novel, Remainder, to be released in America on Tuesday by Vintage, is exemplarily contemporary, not least for its history, which is as unrepresentatively representative, and soon to be as well rehearsed, as, alas, Clap Your Hands Say Yeah’s. Written in 2001, and admired by British editors but rejected by their marketing departments, Remainder circulated with McCarthy in the British art world and made its way to Paris, where in 2005 it was published in an edition of 750 by Metronome, a press modelled after Olympia (or, more accurately, an art project reenacting Olympia’s Parisian lit-porn one-two). When well reviewed back home, Remainder was reprinted for the mass market by Alma, a British independent, but not before the majors had: come begging; fucked off. Vintage’s editor in chief, meanwhile, read Remainder in the last of its Metronome edition and fell hard, and he now brings it to the U.S. in paperback. (read more…)
Reviewed by Melissa Fish
The entire compendium of world literature and philosophy is sprinkled with conjectures as to what happens to people when they die, a universal question that has transcended culture and time. Kevin Brockmeier, in his novel The Brief History of the Dead, provides his own unique answer to this question by drawing particularly on African traditions and creating a place called the City, populated by those who have died but are remembered by those still living. The City parallels our own world in every possible way; its inhabitants eat, sleep, work, and speculate on the uncertainty of what will happen when they leave the City for the next stage of death. In an intriguing narrative style that serves to emphasize this parallel, Brockmeier alternates chapters about the City with chapters that take place in the living world, telling the story of Laura Byrd, a woman trapped alone in Antarctica, and her struggles to survive and escape.
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